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Great Fire Of London

London in the 1660s

Central London in 1666, with the burnt area shown in pink.

By the 1660s, London was by far the largest city in Britain, estimated at half a million inhabitants, which was more than the next fifty towns in England combined. Comparing London to the Baroque magnificence of Paris, John Evelyn called it a “wooden, northern, and inartificial congestion of Houses,” and expressed alarm about the fire hazard posed by the wood and about the congestion. By “inartificial”, Evelyn meant unplanned and makeshift, the result of organic growth and unregulated urban sprawl. A Roman settlement for four centuries, London had become progressively more overcrowded inside its defensive City wall. It had also pushed outwards beyond the wall into squalid extramural slums such as Shoreditch, Holborn, and Southwark and had reached far enough to include the independent City of Westminster.

By the late 17th century, the City properhe area bounded by the City wall and the River Thamesas only a part of London, covering some 700 acres (2.8 km2; 1.1 sq mi), and home to about 80,000 people, or one sixth of London’s inhabitants. The City was surrounded by a ring of inner suburbs, where most Londoners lived. The City was then as now the commercial heart of the capital, and was the largest market and busiest port in England, dominated by the trading and manufacturing classes. The aristocracy shunned the City and lived either in the countryside beyond the slum suburbs, or in the exclusive Westminster district (the modern West End), the site of Charles II’s court at Whitehall. Wealthy people preferred to live at a convenient distance from the traffic-clogged, polluted, unhealthy City, especially after it was hit by a devastating outbreak of bubonic plague in the Plague Year of 1665.

The relationship between the City and the Crown was very tense. During the Civil War, 16421651, the City of London had been a stronghold of Republicanism, and the wealthy and economically dynamic capital still had the potential to be a threat to Charles II, as had been demonstrated by several Republican uprisings in London in the early 1660s. The City magistrates were of the generation that had fought in the Civil War, and could remember how Charles I’s grab for absolute power had led to that national trauma. They were determined to thwart any similar tendencies of his son, and when the Great Fire threatened the City, they refused the offers Charles made of soldiers and other resources. Even in such an emergency, the idea of having the unpopular Royal troops ordered into the City was political dynamite. By the time Charles took over command from the ineffectual Lord Mayor, the fire was already out of control.

Panorama of the City of London in 1616 by Claes Visscher. Note the tenement housing on London Bridge (far right), a notorious death-trap in case of fire, although much had been destroyed in an earlier fire in 1632.

Fire hazards in the City

Charles II.

The City was essentially medieval in its street plan, an overcrowded warren of narrow, winding, cobbled alleys. It had experienced several major fires before 1666, the most recent in 1632. Building with wood and roofing with thatch had been prohibited for centuries, but these cheap materials continued to be used. The only major stone-built area was the wealthy centre of the City, where the mansions of the merchants and brokers stood on spacious lots, surrounded by an inner ring of overcrowded poorer parishes whose every inch of building space was used to accommodate the rapidly growing population. These parishes contained workplaces, many of which were fire hazardsoundries, smithies, glaziers’hich were theoretically illegal in the City, but tolerated in practice. The human habitations intermingled with these sources of heat, sparks, and pollution were crowded to bursting point and their construction increased the fire risk: the typical six- or seven-storey timbered London tenement houses had “jetties” (projecting upper floors): they had a narrow footprint at ground level, but would maximise their use of land by “encroaching”, as a contemporary observer put it, on the street with the gradually increasing size of their upper storeys. The fire hazard posed when the top jetties all but met across the narrow alleys was well perceived”as it does facilitate a conflagration, so does it also hinder the remedy”, wrote one observerut “the covetousness of the citizens and connivancy [that is, the corruption] of Magistrates” worked in favour of jetties. In 1661, Charles II issued a proclamation forbidding overhanging windows and jetties, but this was largely ignored by the local government. Charles’ next, sharper, message in 1665 warned of the risk of fire from the narrowness of the streets and authorised both imprisonment of recalcitrant builders and demolition of dangerous buildings. It too had little impact.

The river front was important in the development of the Great Fire. The Thames offered water for firefighting and the chance of escape by boat, but the poorer districts along the riverfront had stores and cellars of combustibles which increased the fire risk. All along the wharves, the rickety wooden tenements and tar paper shacks of the poor were shoehorned amongst “old paper buildings and the most combustible matter of Tarr, Pitch, Hemp, Rosen, and Flax which was all layd up thereabouts.” London was also full of black powder, especially along the river front. Much of it was left in the homes of private citizens from the days of the English Civil War, as the former members of Cromwell’s New Model Army still retained their muskets and the powder with which to load them. Five to six hundred tons of powder were stored in the Tower of London at the north end of London Bridge. The ship chandlers along the wharves also held large stocks, stored in wooden barrels.

17th century firefighting

“Firehooks” used to fight a fire at Tiverton in Devon, England, 1612.

Advertisement for a comparatively small and manoeuvrable seventeenth-century fire engine on wheels: “These Engins, (which are the best) to quinch great Fire; are made by John Keeling in Black Fryers (after many years’ Experience).”

Fires were common in the crowded wood-built city with its open fireplaces, candles, ovens, and stores of combustibles. There was no police or fire department to call, but London’s local militia, known as the Trained Bands, was at least in principle available for general emergencies, and watching for fire was one of the jobs of the watch, a thousand watchmen or “bellmen” who patrolled the streets at night. Self-reliant community procedures for dealing with fires were in place, and were usually effective. Public-spirited citizens would be alerted to a dangerous house fire by muffled peals on the church bells, and would congregate hastily to fight the fire. The methods available for this relied on demolition and water. By law, the tower of every parish church had to hold equipment for these efforts: long ladders, leather buckets, axes, and “firehooks” for pulling down buildings (see illustration right). Sometimes taller buildings were levelled to the ground quickly and effectively by means of controlled gunpowder explosions. This drastic method of creating firebreaks was increasingly used towards the end of the Great Fire, and modern historians believe it was what finally won the struggle.

Failures in fighting the fire

London Bridge, the only physical connection between the City and the south side of the river Thames, was itself covered with houses and had been noted as a deathtrap in the fire of 1632. By dawn on Sunday these houses were burning, and Samuel Pepys, observing the conflagration from the Tower of London, recorded great concern
for friends living on the bridge. There were fears that the flames would cross London Bridge to threaten the borough of Southwark on the south bank, but this danger was averted by an open space between buildings on the bridge which acted as a firebreak. The 18 foot (5.5 m) high Roman wall enclosing the City put the fleeing homeless at risk of being shut into the inferno. Once the river front was on fire and the escape route by boat cut off, the only exits were the eight gates in the wall. During the first couple of days, few people had any notion of fleeing the burning City altogether: they would remove what they could carry of their belongings to the nearest “safe house”, in many cases the parish church, or the precincts of St. Paul’s Cathedral, only to have to move again hours later. Some moved their belongings and themselves “four and five times” in a single day. The perception of a need to get beyond the walls only took root late on the Monday, and then there were near-panic scenes at the narrow gates as distraught refugees tried to get out with their bundles, carts, horses, and wagons.

The crucial factor which frustrated firefighting efforts was the narrowness of the streets. Even under normal circumstances, the mix of carts, wagons, and pedestrians in the undersized alleys was subject to frequent traffic jams and gridlock. During the fire, the passages were additionally blocked by refugees camping in them amongst their rescued belongings, or escaping outwards, away from the centre of destruction, as demolition teams and fire engine crews struggled in vain to move in towards it.

Demolishing the houses downwind of a dangerous fire by means of firehooks or explosives was often an effective way of containing the destruction. This time, however, demolition was fatally delayed for hours by the Lord Mayor’s lack of leadership and failure to give the necessary orders. By the time orders came directly from the King to “spare no houses”, the fire had devoured many more houses, and the demolition workers could no longer get through the crowded streets.

The use of water to extinguish the fire was also frustrated. In principle, water was available from a system of elm pipes which supplied 30,000 houses via a high water tower at Cornhill, filled from the river at high tide, and also via a reservoir of Hertfordshire spring water in Islington. It was often possible to open a pipe near a burning building and connect it to a hose to play on a fire, or fill buckets. Further, Pudding Lane was close to the river. Theoretically, all the lanes from the river up to the bakery and adjoining buildings should have been manned with double rows of firefighters passing full buckets up to the fire and empty buckets back down to the river. This did not happen, or at least was no longer happening by the time Pepys viewed the fire from the river at mid-morning on the Sunday. Pepys comments in his diary that nobody was trying to put it out, but instead they fled from it in fear, hurrying “to remove their goods, and leave all to the fire.” The flames crept towards the river front with little interference from the overwhelmed community and soon torched the flammable warehouses along the wharves. The resulting conflagration not only cut off the firefighters from the immediate water supply from the river, but also set alight the water wheels under London Bridge which pumped water to the Cornhill water tower; the direct access to the river and the supply of piped water failed together.

London possessed advanced fire-fighting technology in the form of fire engines, which had been used in earlier large-scale fires. However, unlike the useful firehooks, these large pumps had rarely proved flexible or functional enough to make much difference. Only some of them had wheels, others were mounted on wheelless sleds. They had to be brought a long way, tended to arrive too late, and, with spouts but no delivery hoses, had limited reach. On this occasion an unknown number of fire engines were either wheeled or dragged through the streets, some from across the City. The piped water that they were designed to use had already failed, but parts of the river bank could still be reached. As gangs of men tried desperately to manoeuvre the engines right up to the river to fill their reservoirs, several of the engines toppled into the Thames. The heat from the flames was by then too great for the remaining engines to get within a useful distance; they could not even get into Pudding Lane.

Development of the fire

The personal experiences of many Londoners during the fire are glimpsed in letters and memoirs. The two most famous diarists of the Restoration, Samuel Pepys (16331703) and John Evelyn (16201706), recorded the events and their own reactions day by day, and made great efforts to keep themselves informed of what was happening all over the City and beyond. For example, they both travelled out to the Moorfields park area north of the City on the Wednesdayhe fourth dayo view the mighty encampment of distressed refugees there, which shocked them. Their diaries are the most important sources for all modern retellings of the disaster. The most recent books on the fire, by Tinniswood (2003) and Hanson (2001), also rely on the brief memoirs of William Taswell (165182), who was a fourteen-year-old schoolboy at Westminster School in 1666.

After two rainy summers in 1664 and 1665, London had lain under an exceptional drought since November 1665, and the wooden buildings were tinder-dry after the long hot summer of 1666. The bakery fire in Pudding Lane spread at first due west, fanned by an eastern gale.


Approximate damage by the evening of Sunday, 2 September.

“It made me weep to see it.” Samuel Pepys (16331703) painted by John Hayls in 1666, the year of the Great Fire.

A fire broke out at Thomas Farriner’s bakery in Pudding Lane a little after midnight on Sunday, 2 September. The family was trapped upstairs, but managed to climb from an upstairs window to the house next door, except for a maidservant who was too frightened to try, and became the first victim. The neighbours tried to help douse the fire; after an hour the parish constables arrived and judged that the adjoining houses had better be demolished to prevent further spread. The householders protested, and the Lord Mayor Sir Thomas Bloodworth, who alone had the authority to override their wishes, was summoned. When Bloodworth arrived, the flames were consuming the adjoining houses and creeping towards the paper warehouses and flammable stores on the river front. The more experienced firefighters were clamouring for demolition, but Bloodworth refused, on the argument that most premises were rented and the owners could not be found. Bloodworth is generally thought to have been appointed to the office of Lord Mayor as a yes man, rather than for any of the needful capabilities for the job; he panicked when faced with a sudden emergency. Pressed, he made the often-quoted remark “Pish! A woman could piss it out”, and left. After the City had been destroyed, Samuel Pepys, looking back on the events, wrote in his diary on 7 September 1666: “People do all the world over cry out of the simplicity [the stupidity] of my Lord Mayor in general; and more particularly in this business of the fire, laying it all upon him.”

On Sunday morning, Pepys, who was a senior official in the Navy Office, ascended the Tower of London to view the fire from a turret, and recorded in his diary that the eastern gale had turned it into a conflagration. It had burned down several churches and, he estimated, 300 houses, and reached the river front. The houses on London Bridge were burning. Taking a boat to inspect the destruction around Pudding Lane at close range, Pepys describes a “lamentable” fire, “everybody endeavouring to remove their g
oods, and flinging into the river or bringing them into lighters that lay off; poor people staying in their houses as long as till the very fire touched them, and then running into boats, or clambering from one pair of stairs by the water-side to another.” Pepys continued westward on the river to the court at Whitehall, “where people come about me, and did give them an account dismayed them all, and word was carried in to the King. So I was called for, and did tell the King and Duke of Yorke what I saw, and that unless his Majesty did command houses to be pulled down nothing could stop the fire. They seemed much troubled, and the King commanded me to go to my Lord Mayor from him, and command him to spare no houses, but to pull down before the fire every way.” Charles’ brother James, Duke of York, offered the use of the Royal Life Guards to help fight the fire.

A mile west of Pudding Lane, by Westminster Stairs, young William Taswell, a schoolboy who had bolted from the early morning service in Westminster Abbey, saw some refugees arrive in hired lighter boats, unclothed and covered only with blankets. The services of the lightermen had suddenly become extremely expensive, and only the luckiest refugees secured a place in a boat.

The fire spread quickly in the high wind. By mid-morning on Sunday, people abandoned attempts at extinguishing the fire and fled; the moving human mass and their bundles and carts made the lanes impassable for firefighters and carriages. Pepys took a coach back into the city from Whitehall, but only reached St. Paul’s Cathedral before he had to get out and walk. Handcarts with goods and pedestrians were still on the move, away from the fire, heavily weighed down. The parish churches not directly threatened were filling up with furniture and valuables, which would soon have to be moved further afield. Pepys found Mayor Bloodworth trying to coordinate the firefighting efforts and near to collapse, “like a fainting woman”, crying out plaintively in response to the King’s message that he was pulling down houses. “But the fire overtakes us faster then [sic] we can do it.” Holding on to his civic dignity, he refused James’ offer of soldiers and then went home to bed. King Charles II sailed down from Whitehall in the Royal barge to inspect the scene. He found that houses were still not being pulled down, in spite of Bloodworth’s assurances to Pepys, and daringly overrode the authority of Bloodworth to order wholesale demolitions west of the fire zone. The delay rendered these measures largely futile, as the fire was already out of control.

By Sunday afternoon, 18 hours after the alarm was raised in Pudding Lane, the fire had become a raging firestorm which created its own weather. A tremendous uprush of hot air above the flames was driven by the chimney effect wherever constrictions such as jettied buildings narrowed the air current and left a vacuum at ground level. The resulting strong inward winds did not tend to put the fire out, as might be thought: instead, they supplied fresh oxygen to the flames, and the turbulence created by the uprush made the wind veer erratically both north and south of the main, easterly, direction of the gale which was still blowing.

In the early evening, with his wife and some friends, Pepys went again on the river “and to the fire up and down, it still encreasing.” They ordered the boatman to go “so near the fire as we could for smoke; and all over the Thames, with one’s face in the wind, you were almost burned with a shower of firedrops.” When the “firedrops” became unbearable, the party went on to an alehouse on the south bank and stayed there till darkness came and they could see the fire on London Bridge and across the river, “as only one entire arch of fire from this to the other side of the bridge, and in a bow up the hill for an arch of above a mile long: it made me weep to see it.” Pepys described this arch of fire as “a bow with God’s arrow in it with a shining point.”


The London Gazette for 3 September10 September, facsimile front page with an account of the Great Fire. Click on the image to enlarge and read.

By dawn on Monday, 3 September, the fire was principally expanding north and west, the turbulence of the firestorm pushing the flames both further south and further north than the day before. The spread to the south was in the main halted by the river, but had torched the houses on London Bridge, and was threatening to cross the bridge and endanger the borough of Southwark on the south bank of the river. Southwark was preserved by a pre-existent firebreak on the bridge, a long gap between the buildings which had saved the south side of the Thames in the fire of 1632 and now did so again. The fire’s spread to the north reached the financial heart of the City. The houses of the bankers in Lombard Street began to burn on Monday afternoon, prompting a rush to get their stacks of gold coins, so crucial to the wealth of the city and the nation, to safety before they melted away. Several observers emphasise the despair and helplessness which seemed to seize Londoners on this second day, and the lack of efforts to save the wealthy, fashionable districts which were now menaced by the flames, such as the Royal Exchangeombined bourse and shopping mallnd the opulent consumer goods shops in Cheapside. The Royal Exchange caught fire in the late afternoon, and was a smoking shell within a few hours. John Evelyn, courtier and diarist, wrote:

The conflagration was so universal, and the people so astonished, that from the beginning, I know not by what despondency or fate, they hardly stirred to quench it, so that there was nothing heard or seen but crying out and lamentation, running about like distracted creatures without at all attempting to save even their goods, such a strange consternation there was upon them.

Evelyn lived four miles (6 km) outside the City, in Deptford, and so did not see the early stages of the disaster. On Monday, joining many other upper-class people, he went by coach to Southwark to see the view that Pepys had seen the day before, of the burning City across the river. The conflagration was much larger now: “the whole City in dreadful flames near the water-side; all the houses from the Bridge, all Thames-street, and upwards towards Cheapside, down to the Three Cranes, were now consumed”. In the evening, Evelyn reported that the river was covered with barges and boats making their escape piled with goods. He observed a great exodus of carts and pedestrians through the bottleneck City gates, making for the open fields to the north and east, “which for many miles were strewed with moveables of all sorts, and tents erecting to shelter both people and what goods they could get away. Oh, the miserable and calamitous spectacle!”

Approximate damage by the evening of Monday, 3 September.

John Evelyn (16201706) in 1651.

Suspicion soon arose in the threatened city that the fire was no accident. The swirling winds carried sparks and burning flakes long distances to lodge on thatched roofs and in wooden gutters, causing seemingly unrelated house fires to break out far from their source and giving rise to rumours that fresh fires were being set on purpose. Foreigners were immediately suspect due to the ongoing Second Anglo-Dutch War. As fear and suspicion hardened into certainty on the Monday, reports circulated of imminent invasion, and of foreign undercover agents seen casting “fireballs” into houses, or caught with hand grenades or matches. There was a wave of street violence. William Taswell saw a mob loot the shop of a French painter and level it to the ground, and watched in horror as a blacksmith walked up to a Frenchman in the street and hit him over the head with an iron bar. The fears of terrorism received an extra boost from the disruption
of communications and news as facilities were devoured by the fire. The General Letter Office in Threadneedle Street, through which post for the entire country passed, burned down early on Monday morning. The London Gazette just managed to put out its Monday issue before the printer’s premises went up in flames (this issue contained mainly society gossip, with a small note about a fire that had broken out on Sunday morning and “which continues still with great violence”). The whole nation depended on these communications, and the void they left filled up with rumours. There were also religious alarms of renewed Gunpowder Plots. As suspicions rose to panic and collective paranoia on the Monday, both the Trained Bands and the Coldstream Guards focused less on firefighting and more on rounding up foreigners, Catholics, and any odd-looking people, and arresting them or rescuing them from mobs, or both together.

The inhabitants, especially the upper class, were growing desperate to remove their belongings from the City. This provided a source of income for the able-bodied poor, who hired out as porters (sometimes simply making off with the goods), and especially for the owners of carts and boats. Hiring a cart had cost a couple of shillings on the Saturday before the fire; on the Monday it rose to as much as 40, a small fortune (equivalent to over 4000 in 2005). Seemingly every cart and boat owner within reach of London made their way towards the City to share in these opportunities, the carts jostling at the narrow gates with the panicked inhabitants trying to get out. The chaos at the gates was such that the magistrates ordered the gates shut on Monday afternoon, in the hope of turning the inhabitants’ attention from safeguarding their own possessions to the fighting of the fire: “that, no hopes of saving any things left, they might have more desperately endeavoured the quenching of the fire.” This headlong and unsuccessful measure was rescinded the next day.

Even as order in the streets broke down, especially at the gates, and the fire raged unchecked, Monday marked the beginning of organised action. Bloodworth, who as Lord Mayor was responsible for coordinating the fire-fighting, had apparently left the City; his name is not mentioned in any contemporary accounts of the Monday’s events. In this state of emergency, Charles again overrode the City authorities and put his brother James, Duke of York, in charge of operations. James set up command posts round the perimeter of the fire, press-ganging any men of the lower classes found in the streets into teams of well-paid and well-fed firefighters. Three courtiers were put in charge of each post, with authority from Charles himself to order demolitions. This visible gesture of solidarity from the Crown was intended to cut through the citizens’ misgivings about being held financially responsible for pulling down houses. James and his life guards rode up and down the streets all Monday, rescuing foreigners from the mob and attempting to keep order. “The Duke of York hath won the hearts of the people with his continual and indefatigable pains day and night in helping to quench the Fire”, wrote a witness in a letter on 8 September.

On the Monday evening, hopes were dashed that the massive stone walls of Baynard’s Castle, Blackfriars, the western counterpart of the Tower of London, would stay the course of the flames. This historic royal palace was completely consumed, burning all night.

A contemporary account said that, that day or later, King Charles II in person worked manually to help to throw water on flames and to help to demolish buildings to make a firebreak.


Tuesday, 4 September, was the day of greatest destruction. The Duke of York’s command post at Temple Bar, where The Strand met Fleet Street, was supposed to stop the fire’s westward advance towards the Palace of Whitehall. Making a stand with his firefighters from the Fleet Bridge and down to the Thames, James hoped that the River Fleet would form a natural firebreak. However early on Tuesday morning the flames jumped over the Fleet, driven by the unabated easterly gale, and outflanked them, forcing them to run for it. There was consternation at the palace as the fire continued implacably westward: “Oh, the confusion there was then at that court!” wrote Evelyn.

Working to a plan at last, James’ firefighters had also created a large firebreak to the north of the conflagration. It contained the fire until late afternoon, when the flames leaped across and began to destroy the wide, affluent luxury shopping street of Cheapside.

Everybody had thought St. Paul’s Cathedral a safe refuge, with its thick stone walls and natural firebreak in the form of a wide, empty surrounding plaza. It had been crammed full of rescued goods and its crypt filled with the tightly packed stocks of the printers and booksellers in adjoining Paternoster Row. However an enormous stroke of bad luck meant that the building was covered in wooden scaffolding, undergoing piecemeal restoration by a then relatively unknown Christopher Wren. The scaffolding caught fire on Tuesday night. Leaving school, young William Taswell stood on Westminster Stairs a mile away and watched as the flames crept round the cathedral and the burning scaffolding ignited the timbered roof beams. Within half an hour, the lead roof was melting, and the books and papers in the crypt caught with a roar. “The stones of Paul’s flew like grenados, the melting lead running down the streets in a stream, and the very pavements glowing with fiery redness, so as no horse, nor man, was able to tread on them”, reported Evelyn in his diary. The cathedral was quickly a ruin.

During the day, the flames began to move due east from the neighbourhood of Pudding Lane, straight against the prevailing east wind towards Pepys’ home on Seething Lane and the Tower of London with its gunpowder stores. After waiting all day for requested help from James’ official firefighters, who were busy in the west, the garrison at the Tower took matters into their own hands and created firebreaks by blowing up houses in the vicinity on a large scale, halting the advance of the fire.


James, Duke of York, later James II.

The wind dropped on Tuesday evening, and the firebreaks created by the garrison finally began to take effect on Wednesday, 5 September. Pepys walked all over the smouldering city, getting his feet hot, and climbed the steeple of Barking Church, from which he viewed the destroyed City, “the saddest sight of desolation that I ever saw.” There were many separate fires still burning themselves out, but the Great Fire was over. Pepys visited Moorfields, a large public park immediately north of the City, and saw a great encampment of homeless refugees, “poor wretches carrying their good there, and every body keeping his goods together by themselves”, and noted that the price of bread in the environs of the park had doubled. Evelyn also went out to Moorfields, which was turning into the main point of assembly for the homeless, and was horrified at the numbers of distressed people filling it, some under tents, others in makeshift shacks: “Many [were] without a rag or any necessary utensils, bed or board… reduced to extremest misery and poverty.” Evelyn was impressed by the pride of these distressed Londoners, “tho’ ready to perish for hunger and destitution, yet not asking one pennie for relief.”

Fears of foreign terrorists and of a French and Dutch invasion were as high as ever among the traumatised fire victims, and on Wednesday night there was an outbreak of general panic in the encampments at Parliament Hill, Moorfields and Islington. A light in the sky over Fleet Street started a story that 50,000 French and Dutch immigrants, widely rumoured to have starte
d the fire, had risen and were marching towards Moorfields to finish what the fire had begun: to cut the men’s throats, rape the women, and steal their few possessions. Surging into the streets, the frightened mob fell on any foreigners they happened to encounter, and were, according to Evelyn, only “with infinite pains and great difficulty” appeased and pushed back into the fields by the Trained Bands, troops of Life Guards, and members of the court. The mood was now so volatile that Charles feared a full-scale London rebellion against the monarchy. Food production and distribution had been disrupted to the point of non-existence; Charles announced that supplies of bread would be brought into the City every day, and safe markets set up round the perimeter. These markets were for buying and selling; there was no question of distributing emergency aid.

Deaths and destruction

James Shirley

The LONDONERS Lamentation, a broadside ballad published in 1666 giving an account of the fire, and of the limits of its destruction. Click on the image to enlarge and read.

Only a few deaths from the fire are officially recorded, and deaths are traditionally believed to have been few. Porter gives the figure as eight and Tinniswood as “in single figures”, although he adds that some deaths must have gone unrecorded and that, besides direct deaths from burning and smoke inhalation, refugees also perished in the impromptu camps. Hanson takes issue with the idea that there were only a few deaths, enumerating known deaths from hunger and exposure among survivors of the holocaust, “huddled in shacks or living among the ruins that had once been their homes” in the cold winter that followed, including, for instance, the dramatist James Shirley and his wife. Hanson also maintains that “it stretches credulity to believe that the only papists or foreigners being beaten to death or lynched were the ones rescued by the Duke of York”, that official figures say very little about the fate of the undocumented poor, and that the heat at the heart of the firestorms, far hotter than an ordinary house fire, was enough to consume bodies fully, or leave only a few skull fragments. The fire, fed not merely by wood, fabrics, and thatch, but also by the oil, pitch, coal, tallow, fats, sugar, alcohol, turpentine, and gunpowder stored in the riverside district, melted the imported steel lying along the wharves (melting point between 1,250 C (2,300 F) and 1,480 C (2,700 F)) and the great iron chains and locks on the City gates (melting point between 1,100 C (2,000 F) and 1,650 C (3000 F)). Nor would anonymous bone fragments have been of much interest to the hungry people sifting through the tens of thousands of tons of rubble and debris after the fire, looking for valuables, or to the workmen clearing away the rubble later during the rebuilding. Appealing to common sense and “the experience of every other major urban fire down the centuries”, Hanson emphasises that the fire attacked the rotting tenements of the poor with furious speed, surely trapping at the very least “the old, the very young, the halt and the lame” and burying the dust and ashes of their bones under the rubble of cellars; making for a death toll not of four or eight, but of “several hundred and quite possibly several thousand.”

The material destruction has been computed at 13,500 houses, 87 parish churches, 44 Company Halls, the Royal Exchange, the Custom House, St. Paul’s Cathedral, the Bridewell Palace and other City prisons, the General Letter Office, and the three western city gates, Ludgate, Newgate, and Aldersgate. The monetary value of the loss, first estimated at 100,000,000 in the currency of the time, was later reduced to an uncertain 10,000,000 (over 1 billion in 2005 pounds). Evelyn believed that he saw as many as “200,000 people of all ranks and stations dispersed, and lying along their heaps of what they could save” in the fields towards Islington and Highgate.


Approximate damage by the evening of Tuesday, 4 September. The fire did not spread significantly on Wednesday, 5 September.

Ludgate in flames, with St. Paul’s Cathedral in the distance (square tower without the spire) now catching flames. Oil painting by anonymous artist, ca. 1670.

John Evelyn’s plan never carried out, for rebuilding a radically different City of London.

Sir Christopher Wren.

The Monument to the Great Fire of London to commemorate the Great Fire of London, designed by Sir Christopher Wren

An example of the urge to identify scapegoats for the fire is the acceptance of the confession of a simple-minded French watchmaker, Robert Hubert, who claimed he was an agent of the Pope and had started the Great Fire in Westminster. He later changed his story to say that he had started the fire at the bakery in Pudding Lane. Hubert was convicted, despite some misgivings about his fitness to plead, and hanged at Tyburn on 28 September 1666. After his death, it became apparent that he had not arrived in London until two days after the fire started. These allegations that Catholics had started the fire were exploited as powerful political propaganda by opponents of pro-Catholic Charles II’s court, mostly during the Popish Plot and the exclusion crisis later in his reign.

Abroad the Great Fire of London was seen as a Divine retribution, the Lord punishing the English for Holmes’s Bonfire, the burning of a Dutch town three weeks earlier during the Second Anglo-Dutch War.

In the chaos and unrest after the fire, Charles II feared another London rebellion. He encouraged the homeless to move away from London and settle elsewhere, immediately issuing a proclamation that “all Cities and Towns whatsoever shall without any contradiction receive the said distressed persons and permit them the free exercise of their manual trades.” A special Fire Court was set up to deal with disputes between tenants and landlords and decide who should rebuild, based on ability to pay. The Court was in session from February 1667 to September 1672. Cases were heard and a verdict usually given within a day, and without the Fire Court, lengthy legal wrangles would have seriously delayed the rebuilding which was so necessary if London was to recover. Encouraged by Charles, radical rebuilding schemes for the gutted City poured in. If it had been rebuilt under some of these plans, London would have rivalled Paris in Baroque magnificence (see Evelyn’s plan on the right). The Crown and the City authorities attempted to establish “to whom all the houses and ground did in truth belong” in order to negotiate with their owners about compensation for the large-scale remodelling that these plans entailed, but that unrealistic idea had to be abandoned. Exhortations to bring workmen and measure the plots on which the houses had stood were mostly ignored by people worried about day-to-day survival, as well as by those who had left the capital; for one thing, with the shortage of labour following the fire, it was impossible to secure workmen for the purpose. Apart from Wren and Evelyn, it is known that Robert Hooke, Valentine Knight and Richard Newcourt proposed rebuilding plans.

With the complexities of ownership unresolved, none of the grand Baroque schemes for a City of piazzas and avenues could be realised; there was nobody to negotiate with, and no means of calculating how much compensation should be paid. Instead, much of the old street plan was recreated in the new City, with improvements in hygiene and fire safety: wider streets, open and accessible wharves along the length of the Thames, with no houses obstructing access to the river, and, most importantly, buildings constructed of brick and stone, not wood. New public buildings were created on their predecessors’ sit
es; perhaps the most famous is St. Paul’s Cathedral and its smaller cousins, Christopher Wren’s 50 new churches.

On Charles’ initiative, a Monument to the Great Fire of London, designed by Christopher Wren and Robert Hooke, was erected near Pudding Lane. Standing 61 metres tall and known simply as “The Monument”, it is a familiar London landmark which has given its name to a tube station. In 1668 accusations against the Catholics were added to the inscription on the Monument which read, in part:

Here by permission of heaven, hell broke loose upon this Protestant city…..the most dreadful Burning of this City; begun and carried on by the treachery and malice of the Popish faction…Popish frenzy which wrought such horrors, is not yet quenched…

Aside from the four years of James II’s rule from 1685 to 1689, the inscription remained in place until 1830 and the passage of the Catholic Emancipation Act.

Another monument, the Golden Boy of Pye Corner in Smithfield, marks the spot where the fire stopped. According to the inscription, the fact that the fire started at Pudding Lane and stopped at Pye Corner was an indication that the Fire was evidence of God’s wrath on the City of London for the sin of gluttony.

The Great Plague epidemic of 1665 is believed to have killed a sixth of London’s inhabitants, or 80,000 people, and it is sometimes suggested, as plague epidemics did not recur in London after the fire, that the fire saved lives in the long run by burning down so much unsanitary housing with their rats and their fleas which transmitted the plague. Historians disagree as to whether the fire played a part in preventing subsequent major outbreaks. The Museum of London website claims that there was a connection, while historian Roy Porter points out that the fire left the most insalubrious parts of London, the slum suburbs, untouched. Alternative epidemiological explanations have been put forward, along with the observation that the disease disappeared from almost every other European city around the same time.

See also

Great Plague of London

Thomas Vincent – a Puritan minister’s eyewitness account


^ All dates are given according to the Julian calendar. Note that when recording British history it is usual to use the dates recorded at the time of the event. Any dates between 1 January and 25 March have their year adjusted to start on the 1 January according to the New Style.

^ Porter, 6980.

^ Tinniswood, 4, 101.

^ Reddaway, 27.

^ Morgan, 2934.

^ John Evelyn in 1659, quoted in Tinniswood, 3. The section “London in the 1660s” is based on Tinniswood, 111, unless otherwise indicated.

^ Porter, 80.

^ 330 acres is the size of the area within the Roman wall according to standard reference works (see, for instance, Sheppard, 37), although Tinniswood gives that area as a square mile (667 acres).

^ Hanson (2001), 80.

^ See Hanson (2001), 8588, for the Republican temper of London.

^ Hanson (2001), 7780. The section “Fire hazards in the City” is based on Hanson (2001), 77101 unless otherwise indicated.

^ Rege Sincera (pseudonym), Observations both Historical and Moral upon the Burning of London, September 1666, quoted by Hanson (2001), 80.

^ Letter from an unknown correspondent to Lord Conway, September 1666, quoted by Tinniswood, 4546.

^ Hanson (2001), 82. The section “Fire hazards in the City” is based on Tinniswood, 4652, and Hanson (2001), 7578 unless otherwise indicated.

^ A firehook was a heavy pole perhaps 30 feet (9 m) long with a strong hook and ring at one end, which would be attached to the roof trees of a threatened house and operated by means of ropes and pulleys to pull the building down. (Tinniswood, 49).

^ Reddaway, 25.

^ All quotes from and details involving Samuel Pepys come from his diary entry for the day referred to.

^ Robinson, Bruce, “London’s Burning: The Great Fire”

^ Gough MSS London14, the Bodleian Library, quoted by Hanson (2001), 123.

^ “Bludworth’s failure of nerve was crucial” (Tinniswood, 52).

^ See Robinson, London:Brighter Lights, Bigger City” and Tinniswood, 4849.

^ Compare Hanson (2001), who claims they had wheels (76), and Tinniswood, who states they did not (50).

^ The fire engines, for which a patent had been granted in 1625, were single-acting force pumps worked by long handles at the front and back (Tinniswood, 50).

^ The information in the day-by-day maps comes from Tinniswood, 58, 77, 97.

^ Tinniswood, 4243.

^ Tinniswood, 44: “He didn’t have the experience, the leadership skills or the natural authority to take charge of the situation.”

^ Pepys’ diary, 2 September 1666.

^ Tinniswood, 93.

^ Tinniswood, 53.

^ London Gazette, 3 September 1666.

^ See firestorm and Hanson (2001), 102105.

^ The section “Monday” is based on Tinniswood, 5874, unless otherwise indicated.

^ Robinson, “London’s Burning: The Great Fire”.

^ All quotes from and details involving John Evelyn come from his diary.

^ a b Evelyn, 10.

^ Hanson (2001), 139.

^ Reddaway, 22, 25.

^ Hanson (2001), 15657.

^ Quoted by Hanson (2001), 158.

^ Tinnisworth, 71.

^ Spelling modernised for clarity; quoted by Tinniswood, 80.

^ Walter George Bell (1929) The Story of London’s Great Fire: 109-11. John Lane: London.

^ The section “Tuesday” is based on Tinniswood, 7796.

^ The section “Wednesday” is based on Tinniswood, 10110, unless otherwise indicated.

^ Quoted Tinniswood, 104.

^ Evelyn (1854), 15.

^ Hanson (2002), 166.

^ Porter, 87.

^ Tinniswood, 13135.

^ Hanson (2001), 32633.

^ Porter, 8788.

^ a b Reddaway, 26.

^ Purchasing Power of British Pounds from 1264 to 2005

^ The section “Aftermath” is based on Reddaway, 27 ff. and Tinniswood, 21337, unless otherwise indicated.

^ Tinniswood, 16368.

^ Porter, Stephen (October 2006). “The great fire of London”. The great fire of London. Oxford University Press. Retrieved 28 November 2006. 

^ Wilde, Robert. “The Great Fire of London 1666”. Retrieved 28 November 2006. 

^ Porter, 84.

^ a b Hanson (2001), 24950.

^ Ask the experts, Museum of London, accessed 27 October 2006.

^ “The plague-ravaged partsxtramural settlements like Holborn, Shoreditch, Finsbury, Whitechapel and Southwark that housed the most squalid slumsere, sadly
, little touched by the Fire (burning down was what they needed)” (Porter, 80).


Evelyn, John (1854). Diary and Correspondence of John Evelyn, F.R.S.. London: Hurst and Blackett.;=”John+evelyn”+diary&as_brr=1. Retrieved 5 November 2006. 

Hanson, Neil (2001). The Dreadful Judgement: The True Story of the Great Fire of London. New York: Doubleday.  For a review of Hanson’s work, see Lauzanne, Alain. “Revue pluridisciplinaire du monde anglophone”. Cercles. Retrieved 12 October 2006. 

Hanson, Neil (2002). The Great Fire of London: In That Apocalyptic Year, 1666. Hoboken, New Jersey: John Wiley and Sons.  A “substantially different” version of Hanson’s The Dreadful Judgement (front matter).

Morgan (2000). Oxford Illustrated History of Britain. Oxford: Oxford. 

Pepys, Samuel (1995). Robert Latham and William Matthews (eds.). ed. The Diary of Samuel Pepys, Vol. 7. London: Harper Collins. ISBN 0-00-499027-7.  First published between 1970 and 1983, by Bell & Hyman, London. Quotations from and details involving Pepys are taken from this standard, and copyright, edition. All web versions of the diaries are based on public domain 19th century editions and unfortunately contain many errors, as the shorthand in which Pepys’ diaries were originally written was not accurately transcribed until the pioneering work of Latham and Matthews.

Porter, Roy (1994). London: A Social History. Cambridge: Harvard. 

Reddaway, T. F. (1940). The Rebuilding of London after the Great Fire. London: Jonathan Cape. 

Robinson, Bruce. London: Brighter Lights, Bigger City. BBC. Retrieved 12 August 2006. 

Sheppard, Francis (1998). London: A History. Oxford: Oxford. 

Tinniswood, Adrian (2003). By Permission of Heaven: The Story of the Great Fire of London. London: Jonathan Cape. 

External links

BBC history site

Museum of London answers questions

Channel 4 animation of the spread of the fire

Child-friendly Great Fire of London site

Fire of London website produced by the Museum of London, The National Archives, the National Portrait Gallery, London Fire Brigade Museum and London Metropolitan Archives for Key Stage 1 pupils (ages 57) and teachers

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History of London


Londinium  Lundenwic  City of London  City of Westminster  Middlesex  County of London  Greater London


Metropolitan Board of Works  London County Council  Greater London Council  Greater London Authority  London Assembly  Mayor of London


Peasants’ Revolt  Black Death  Great Plague  Great Fire  1854 cholera outbreak  Great Stink  Great Exhibition  1908 Franco-British Exhibition  The Battle of Cable Street  The Blitz  Festival of Britain  Great Smog  Swinging London  London Plan  7/7 bombings  Olympic Games (1908  1948  2012)  Paralympic Games (2012)


St Paul’s Cathedral  Tower of London  Palace of Whitehall  Westminster Hall  London Bridge  Tower Bridge  Westminster Abbey  Big Ben  The Monument  Fortifications  Shard London Bridge

City of London

City of London Corporation  Lord Mayor of the City of London  Guildhall  Livery Companies  Lord Mayor’s Show  Bank of England


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Categories: History of the City of London | Fires in London | 1666 disasters | 1666 in England | 17th century in London | 17th-century fires | Social history of London | Stuart EnglandHidden categories: Wikipedia semi-protected pages | Featured articles | Articles containing explicitly cited English language text

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Porter Cable 12850 Riptide 6-Inch 18 Tooth ATB Thin Kerf General Purpose Saw Blade with 1/2-Inch Arbor

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  • 6-inch blade has 18 teeth, 1/2-inch arbor, and a maximum spin speed of 9,500 RPM Product Description
The Porter Cable 12850 Riptide 6-inch saw blade takes performance to the next level with its premium thin-kerf, alternate-top-bevel saw blade design. Each tooth is carbide tipped for exceptionally clean and easy cuts over the lifetime of the blade. This 6-inch saw blade is equipped with a 1/2-inch arbor and a total of 18 teeth. Each tooth is designed with precision for the highest performance possible, and the fully heat-hardened body and computer-mapped … More >>

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Part 1 – How to remove swirls, scratches and water spots using a Porter Cable 7424XP Polisher

Mike Phillips shows you how to remove swirls using a Porter Cable 7424XP Dual Action Polisher on a black car. This includes removing swirls, polishing to a high gloss and even applying the wax or paint sealant by machine. These techniques will also work with a Meguiar’s G100 G220 G110 G220 G110v2 G220v2 Griot’s Garage ROP Flex 3401 Cyclo Polisher.

A Review Of The Panasonic Viera TX-P50X20 50 inch HD Ready Plasma TV

High-definition plasma TV pleasure can be yours without wetting your wallet too much if you choose the 50-inch Panasonic Viera TX-P37X20B Plasma TV.

Many UK electronic outlets and stores are pitching this television for £750 or less this 2010 spring season.

You’ll see that you’re getting outstanding value for the money, and that’s an understatement if you consider the merits of this TV:

– HD Ready, 5 million: 1 native contrast, 100Hz Double Scan, V-Audio Surround, VIERA Image Viewer (AVCHD/JPEG), VIERA Link, Smart Networking, Game Mode, VIERA Tough Panel; Mercury and Lead Free & Long Panel Life (Up to 100,000 Hours)

You will discover, upon closer inspection, the following additional values associated with this TV:

1. The Panasonic TXP50G20B has groundbreaking THX picture and NeoPDP technology, for super clear pictures as well as excellent sound.

Stunning black and rich colours are made possible by a native contrast ratio of 5,000,000:1. The plasma panels are fabricated with the Real Black Drive system, which delivers unmatched rendition of black.

Televisions belonging to the VIERA line display images faithful to the intentions of the content’s director, even in the case of tricky scenes where proper balance of light and dark is quite a challenge.

2. With a wide view angle, at 178 degrees, more people in the room will be able to appreciate the brilliant plasma display.

3. Flicker-free images. In the old-style plasma displays, the scan rate used to be a slow 50 Hz that caused flicker due to too few frames being displayed per second. Now with 100Hz Double Scan, the Panasonic Viera TXP50X20B shows each frame twice, thus delivering more natural movement that is also better on the eyes.

4. Superb audio on the Viera TXP50X20B, equipped with THX Sound with V-Audio Surround and robust speakers, result in just the appropriate sound level for crystal clear fidelity.

5. Versatile connectivity is yours with four HDMI connectors (1 side, 3 rear) to support game consoles or Blu-ray players; component and composite jacks; SCART sockets for connecting older devices; and even USB. No TV should be an island these days; the Viera TXP50X20B is well-connected, for sure.

Using VIERA Link, having inter-connected audio visual devices has become a reality, with just the VIERA remote control managing the devices connected through HDMI cable. And the seamless inter-operability with LUMIX digital cameras means that the TV’s remote can be used to control the displaying of pictures contained in the camera.

The SD card slot makes it easy to share pictures and video on the large screen, and with VIERA Image Viewer, the TX-P50X20B can add custom music and frames to slide shows.

6. Quick-response game playing means that nifty and nimble are the right words to describe the Viera TXP50X20B in Game Mode using a game console.

7. Freesat and Freeview. The built-in tuning capability for Freesat and Freeview provide access to excellent high-definition programming in the free broadcast spectrum. Freesat can send 120 TV and radio channels to satellite dish receivers, while Freeview is the UK’s major dishless digital television provider.

Panasonic has a track record of making available TV sets that perform well without breaking wallets, and this can be clearly seen with their plasma line. In the Viera TX-P50G20B, you have an outstanding high-definition plasma TV that will deliver that level-up viewing pleasure.

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Keep your home safe for your child

It ‘very important to keep your child safe in all environments. Here are some tips to ensure the safety of your child in your home.

The outputs are a danger to the child. Children explore their worlds with his fingers and sockets are very attractive. You can buy outlet covers at most discount and hardware stores. Along with covered outlets for electrical cables seen hanging from the reach of children. Baby may get caught in the ropes and badly orstrangle himself, and drag an object to him / her. If your child is a Walker, make sure all cables are out of reach of the child as he / she reaches out by Walker.

Other risks to your baby are detergents, chemicals and medicines at home. Be sure to keep all detergents, chemicals and prescription and nonprescription drugs to reach the child. hold on with mobile firm, it is best to hazardous substances from reaching your child.

Windowswith or without screens can be dangerous for a child. If the child can press or lean against the screen or go near an open window, you should always prevent your child from the login window. It is not uncommon news that having a child from a window fell and seriously injured or killed by falling feeling.

Once your baby crawls, unlocked the doors open or risk to the baby. little fingers can be trapped in the door. Make sure you hook or lock the door orScreen door high enough that the child or in some way to unlock the door.

If you have pets, make sure you know if your child is safe for your pet. If you are unable, in the same room as your baby and pet, it is safer to keep your child away to keep your pet.

If you have other children, make sure you know that your “rules” as you treat the child was safe for the child, and what is not. When big brother or sister with him aThe responsibility to keep the child safe and help her mother and father, and this responsibility generally lies with the parent (s) / caregiver if the brother is still very young.

If someone on the premises is a vehicle to use, or lawn tractor that the child is not in the way these vehicles. The best protection is to know the caregiver when the child is at all times, and to protect it from danger. Your child should be placed somewhere knows that the caregiver is safe asgarden swing a piece or if you need to leave the room briefly. Accidents can happen quickly and can be severe.

About author Reef Flip Flops

Porter Cable 7424XP vs Dodge Charger

Wife’s 2008 Dodge Charger all polished up with a porter cable 7424XP and Adam’s polishes!

Record rush to beat fees rise at universities

Record rush to beat fees rise at universities
Record numbers of students have already applied for university courses starting next year in the scramble to beat higher tuition fees, figures show.

Read more on Daily Telegraph

Report: Ravens to place Jared Gaither on injured reserve

Report: Ravens to place Jared Gaither on injured reserve
ESPN’s Adam Schefter reports that the Ravens will place offensive tackle Jared Gaither on injured reserve, ending his season.Gaither hasn’t played a snap this year due to a back injury.  Baltimore has withstood Gaither’s absence by moving usual right guard…

Read more on NBC Sports: ProFootballTalk

Porter-Cable 75182 Variable Speed Router Motor

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Choosing the right pickups for your guitar

When looking for the right pickups for your guitar(s), it’s important to know some details about what you are looking for sound wise, and what parts go into different pickup designs. A little knowledge can go a long way when choosing pickups to upgrade your favorite axe.  I’m specifically speaking of passive pickups and not active pickups as passive pickups are what I do.

Why you might need new pickups:

With virtually every popular brand of guitar being mass produced, the pickups and electronics have suffered both tonally and in overall quality. They are being made cheaper than ever and most are machine wound, and made with lesser priced materials. Higher priced guitars generally have better sounding pickups, but even guitars well over $1,000 can have average sounding pickups, and be missing something tonally. If you have a guitar that plays great, new pickups and electronics can make it sound like it’s worth far more, and achieve some of the tones you have been after. Many players look for better amps, pedals, cables, or guitars, to get that elusive tone they are after. Each of them has an impact on the overall tone, but pickups are what translates everything you are playing into the signal that goes through all that other gear. Starting with a more effective foundation of custom made pickups can make everything else work well with each other.

Know your guitar woods/design/finish:

This might seem like an obvious one, but knowing the woods, design, and finish on your guitar can help you make a better decision when buying pickups. Certain woods on the guitar body, neck, and fretboard can greatly contribute to the guitars overall tone. For example, an all mahogany guitar is normally darker tonally than an alder guitar with a maple neck. Additionally, a the same guitar with maple fretboard will sound brighter than one with a rosewood board, and a semi-hollow or hollowbody guitar will have it’s own tonal characteristics. On top of wood and guitar design, the guitars finish can have an impact on the tone. There’s much debate about the old Nitro finishes vs. the newer Poly finishes and their impact on letting the wood breathe. I do feel there is a tonal difference in the old Nitro finishes and the newer ones, but it still can be overcome by the right pickups for the guitar.

Pickup Types and Design:

Each of the main pickup designs contributes to it’s unique tones. We all know that Strats, Les Pauls, and Tele’s have their own unique sound and the main reason for this is the pickups are different in their size and design. Start with what pickup type you have, and look for models from pickup companies that have descriptions that fit your style. Many times you can find a pickup at each position that does what you need them to do.

Pickup Materials and Magnets:

Some of the other big factors in the tone of pickups are the materials and magnets. Different wire types and sizes have different tonal qualities. How the wire is wrapped around the coil and the tension of the wire also effects the overall sound of the pickup. Each pickup magnet(s) capture the sound differently depending on the type of magnet(s) and location in the pickup. Do some research or read manufactures descriptions of different models and pay attention to the magnets used in each. Many pickups are made with similar materials and specs as the old ones, so chances are if you want a certain era or type of pickup, you can get something close to it.

What to do before you buy:

Know what you are after both sound and style wise. Most pickup makers either offer a model that will work for you, or can create one that will make your guitar come alive. Give them information about your guitar they are going in, your setup, and music styles you play. If they are a larger company, you may not be able to talk tone with them, so make sure you read up on the descriptions of the pickups and what they work best for.

Good luck in your search for better tone!

Brian Porter

Porter Pickups

Brian Porter is the owner of Porter Pickups. His company specializes in hand wound pickups for electric guitars. They have several models of replacement pickups such as Strat, Tele, Humbuckers and P-90’s. You can visit their website at